/in progress/ In search of integrity… Artist explores the interconnection between psychology, spirituality, and the phenomenon of consciousness in her work, delving into the search for inner support amidst the fragility and unpredictability of personal experience and the surrounding environment. She pays particular attention to the question of faith outside the confines of religious denominations. This profound search is supported by a regular practice of Vipassana meditation, which is an integral part of her life. Such a focus on inner space has been shaped by the teachings of Carl Jung and Buddhist texts, such as the Tibetan Book of the Dead. Her projects are the result of extended meditations during which she immerses herself in the contemplation of personal and collective unconsciousness. The outcomes of these reflections manifest as objects that both document reality and offer pathways to peaceful acceptance and self-soothing.
Wormwood Star Natural stone, glass, concrete, wood. 2024 These are the hands of the Lord. The Lord protects us from the star with sharp rays, the Wormwood Star. Wormwood is bitter; wormwood is poisonous. Wormwood is a universal biblical symbol of suffering and bitterness. It is also a symbol of punishment. Thus says the Lord of Hosts, the God of Israel: I will feed this people with wormwood and give them poisonous water to drink. (Jeremiah 9:15) John the Evangelist writes about wormwood in the Apocalypse, mentioning "a star burning like a lamp." A great star, called Wormwood, falls from heaven and poisons a third of the rivers and springs of water. (Revelation 8:10-11) John refers to wormwood as aívelov (apsintion), meaning "not fit for drinking" or simply bitter. In the novel by the Strugatsky brothers, "The Devil Among People," the town of Wormwood is Chernobyl. Its waters are poisoned; its waters are bitter. But it is not only the dead water that is bitter. The poisoned leaves are bitter. The poisonous wind is bitter. Poison is everywhere and in everything, in our bodies and in our hair. We are all fragile and helpless before the shards of the Wormwood Star.
Untitled
Glass, stone, concrete, wood panel. 33 x 32 sm
Selfportrait
Selfportrait Glass, concrete, steel. 2024 60 x 20 sm
The image of this object came to me during a meditation in a ruined church — a moment of stillness within collapse. The central form is an amphora, assembled from shards of glass and bound together with concrete using my own technique. The process is physical and intimate — the cuts and traces left on my hands become part of the work. This fragile vessel becomes a metaphor for the human self, pieced together from fragments in a world marked by conflict, technological pressure, and existential uncertainty. The amphora seems to hold and transmit inner light through its fractured body, as if breathing through its wounds. Through this object, I explore the tension between light and darkness, faith and cynicism, eternity and decay, wholeness and fragmentation. It stands as both a relic and a living presence — a quiet attempt to find coherence amid disintegration.
Untitled
Glass, stone, concrete, XPS. 2025 43 x 48 sm
Triptych
Glass, stone, concrete, wood panel. 2024 Each panel 40 x 30 sm approximately
Mirror
Glass, stone, concrete, wood panel. 2025 57 x 40 sm
Impermanence
Glass, folio, concrete, wood panel. 2024 110 x 60 sm